Abstract: During their rather short colonial rule over Libya (1911-1943) the Italians tried to appropriate the territory of the North African country not only militarily administratively, but also symbolically. To achieve this, the government, especially the Fascist regime in the 1920s and 30s, attempted the creation of places of memory (I here use the the term lieux de mémoire, following Nora) on the colony’s soil that was to incorporated into Italy as its so-called Fourth Shore. The means used were archaeology, linking modern colonization to the ancient Roman Empire, architecture that was to immortalize Italian rule for the future, and Mussolini’s 1937 visit as a reference point for a new Mediterranean empire.
The article is available to download at the above link.
Extract: “The most significant exhibition to be organized in the Italian colonies was the Tripoli Trade Fair — an annual display of metropolitan and colonial goods held between 1927 and 1939. This series of exhibitions closely paralleled the representation of Italy’s colonies at similar events held in Italy and elsewhere in Europe during the same period. Indeed, all of these exhibitions were intended to communicate the value of Italy’s colonial possessions to a wider audience, while also establishing stronger economic and commercial ties between Italy and North Africa. However, the Tripoli Trade Fair also was a crucial medium through which an image of Italian society was disseminated to the indigenous populations of North Africa. There was, thus, a relationship between the Tripoli Trade Fair and its potential audiences that was more complex than that at fairs in the metropole. It not only represented Italian industry and culture in the colonial context, it was also the mechanism for a complex process of exchange between Italian and North African culture. Using a wide range of material — from postcards, posters, and publicity photographs to pamphlets and catalogues — this essay examines the Tripoli Trade Fair as a constantly evolving hybrid of metropolitan and colonial identities…”
Lisa Anderson, “The Tripoli Republic, 1918–1922,” in Social and Economic Development of Libya, ed. E. Joffe & K. McLachlan (London, 1982), pp. 43–65.
“…although the Sanusiyah played a very important role, it was not alone in organizing resistance to the Italians. The struggle was also undertaken by the Ottoman Imperial government, Ottoman army officers acting on their own, volunteers from elsewhere in the Arab world, as well as by Libyan notables of a variety of religious persuasions and regional attachments. Many of these forces combined in the creation in Libya in 1918 of the first formally republican government in the Arab world, the jumhuriyyah al-ṭarāblusiyyah, or Tripoli Republic.”
Berhe, Simona. 2015. Notabili libici e Funzionari italiani: l’amministrazione coloniale in Tripolitania (1912-1919) [Libyan notables and Italian functionaries: the colonial administration in Tripolitania 1912-1919]. Rubbettino.
“Scholars periodically return to the study of how French administrators and architects handled the urban settings of North Africa – the ones they found and the ones they founded – beginning with the occupation of Algiers in 1830. Italian occupation of Libya began much later, in 1911, but in the 32 years of their effective rule, Italians had sufficient time to be both destructive and constructive in significant ways. Nonetheless, only a handful of scholarly efforts have been devoted to Italian architectural and urban policies in Tripoli;
and very few of those have been concerned with the walled city at all…”
From the publisher: “L’Italia va alla guerra per conquistare il suo ‘posto al sole’ senza realmente sapere cosa troverà sull’altra sponda del Mediterraneo. Il volume analizza la propaganda coloniale e, in particolare, la stretta relazione tra la costruzione narrativa della colonia libica e le trasformazioni dell’italianità. All’iniziale studio degli immaginari sulla Libia precedenti il 1911, segue una disamina di quelle voci che si mobilitarono a favore della guerra, partendo dai nazionalisti di Enrico Corradini con i riferimenti all’Impero romano, al Risorgimento, al mito della ‘terra promessa’. L’archivio coloniale è indagato anche attraverso lo studio delle omelie funebri per i soldati caduti durante la guerra, con immagini che vanno dal buon soldato al figlio della patria. Un altro campo d’analisi è quello dell’infanzia: i discorsi dei docenti sul conflitto, del «Corriere dei Piccoli» e della letteratura per ragazzi lavorano per «costruire» i corpi dei piccoli italiani. Non manca, infine, lo studio della letteratura interventista: Gabriele D’Annunzio, Giovanni Pascoli, Filippo Tommaso Marinetti, Matilde Serao, Ezio Maria Gray, Umberto Saba, Ada Negri, Giuseppe Bevione.”
With apologies for the long silence on this blog, we get back on track with this article:
Tomaso Palmieri, “La transformation administrative des espaces septentrionaux Libyens au lendemain de la répression de l’Italie fasciste (1934-1940)” [The administrative transformation of the northern Libyan spaces on the eve of the fascist Italian repression], In Le rôle des villes littorales du Maghreb dans l’histoire, RM2E – Revue de la Méditerranée édition électronique 3/1 (2016), pp. 101–114.