On the anniversary of the revolution, we’re sharing a new article by Leila Tayeb, “Our star: Amazigh music and the production of intimacy in 2011 Libya” out in the Journal of North African Studies, about the music of Libyan Amazigh singer Dania Ben Sasi during the events of the 2011 revolution.
The abstract is:
This article explores the production and circulation of Amazigh music among Libyans between 2011 and 2013. It takes as a focal point the performance archive of Serbian-Libyan Amazigh singer Dania Ben Sasi, whose Amazigh-language music found unprecedented fame in Libya in 2011. Through close readings of her initial musical recording of that year, interviews with Ben Sasi and listeners, analysis of performances onstage and in daily life, and drawing on ethnographic fieldwork undertaken in Libya, Serbia, and Tunisia, I present a brief history of a temporary moment of political possibility. I suggest that the formation of an intimate public around Amazigh music in Libya offered glimpses of an unfinished future in which popular practices of recognition could still be built.
The article appears to be freely accessible online at the above link.
Tasnim Qutait, “Like His Father Before Him”: Patrilineality and Nationalism in the work of Hisham Matar, Jamal Mahjoub and Robin Yassin-Kassab, Postcolonial Interventions 2/2, 2017, pp. 129–160.
Abstract: Despite recent increased attention to the study of masculinities in the Middle East, discussions of gender and nationalism in the Arab world tend to focus on the impact of the patriarchal nation-state on women. This focus, in part reflecting the persistence of essentialist discourses about the disempowered Arab woman, elides the centrality of masculinity and patrilineality to the narratives of the nation-state. In this article, I consider the implications of patrilineality in the work of three Arab British authors, identifying the centrality of the absent or distant father to the examination of nationalism and exile in this emerging literature. The article examines two novels by Hisham Matar, In the Country of Men (2006) and Anatomy of a Disappearance (2011), alongside Jamal Mahjoub’s Travelling with Djinns (2003) and Robin Yassin-Kassab’s The Road from Damascus (2008). Matar, Yassin-Kassab and Mahjoub are three writers settled in Britain and writing in English, with backgrounds in Libya, Syria and Sudan respectively. I argue that all three writers employ a narrative of failed filial relationships in order to dramatize a sense of distance from the post-independence generation, and the growing awareness of the discontinuities between an emancipatory national project and the reality of state violence.
Christopher Micklethwait, “Zenga Zenga and Bunga Bunga: The Novels of Hisham Matar and a Critique of Gaddafi’s Libya”, in The Edinburgh Companion to the Arab Novel in English: The Politics of Anglo-Arab and Arab-American Literature and Culture, edited by Nouri Gana, Edinburgh University Press, 2013, pp. 171–196.
From the essay: “The two novels of Anglo Libyan author Hisham Matar, In the Country of Men (2006) and Anatomy of a Disappearance (2011), center on the abduction of their respective protagonists’ fathers at the hands of revolutionary dictatorships. In the former, the father, Faraj el Dewani, is seized by members of the Revolutionary Committee during the reign of political terror in Libya in 1979, viciously tortured in custody, and then released to his family after confessing and revealing the names of his co-conspirators. In the latter, the father, Kamal Pasha El-Alfi, an ex-minister and exiled dissident of an unnamed Arab country, is kidnapped from the home of his mistress in Geneva in the winter of 1972, never to be seen or heard from again. The thematic similarities of these plots have made it difficult not to relate them to the author’s family and personal experiences with the regime of Colonel Gaddafi, which ruled Libya from 1969 until 2011. As Matar has reported in several public interviews, his father, political dissident Jaballa Matar, vanished from Cairo in 1990 where he had been living in exile; he had been abducted by Libyan agents with the cooperation of Egyptian security forces and clandestinely repatriated to Libya where he was held, for a time, in Libya’s infamous Abu Salim prison, only to disappear completely in 1996…”
Sometimes I come across studies on topics I never even knew could be topics. Here, an essay examining the models of urbanity ‘exported’ to Libya by Croatian architects working on the naval base in Khoms (الخمس), Libya.
Smode Cvitanović, Mojca, Smokvina, Marina, Kincl, Branko. 2016. “Maritime Ports as the Testing Field for a New Urbanity. Centroprojekt Zagreb Design for Naval Base Homs, Libya, 1976.” In Urban Planning in North Africa, ed. Carlos Nunes Silva, Routledge, pp. 145–155. [Link to partial preview]
“Drawing on experience gained through the modernization of their own country after the Second World War, Yugoslav experts made their mark applying their expertise in many African and Asian countries, thereby taking part in the creation of those continents’ modern societies in the years that followed. A large field of expertise was as a consequence applied including civil engineering, architecture, and urban planning. A specific professional sector among Yugoslav ‘exports’ was the design and construction of port facilities. Depending on the developments adjacent to the ports, different expertise in urban planning and architecture was needed within this multi-disciplinary task. Architectural developments, as support to a port facility, were usually planned in empty areas and without a previously established analogous architectural or urban typology in the local tradition. This chapter follows the particular case of the Naval Base Homs (Khoms, Al-Khums) in Libya which received a significant contribution of urban and architectural design, the task having been assigned to the Centroprojekt Zagreb company in the mid-1970s. The chapter examines the models of urbanity ‘exported’ by Croatian architects engaged in a task whose primary function was to support the adjacent port facility.”
David J. Mattingly, Martin J. Sterry & David N. Edwards. 2015. “The origins and development of Zuwīla, Libyan Sahara: an archaeological and historical overview of an ancient oasis town and caravan centre.” Azania: Archaeological Research in Africa 50(1), 27–75
This article is open-access and can be read by everyone for free by clicking on the above link!
Abstract: “Zuwīla in southwestern Libya (Fazzān) was one of the most important early Islamic centres in the Central Sahara, but the archaeological correlates of the written sources for it have been little explored. This paper brings together for the first time a detailed consideration of the relevant historical and archaeological data, together with new AMS radiocarbon dates from several key monuments. The origins of the settlement at Zuwīla were pre-Islamic, but the town gained greater prominence in the early centuries of Arab rule of the Maghrib, culminating with the establishment of an Ibāḍī state ruled by the dynasty of the Banū Khaṭṭāb, with Zuwīla its capital. The historical sources and the accounts of early European travellers are discussed and archaeological work at Zuwīla is described (including the new radiocarbon dates). A short gazetteer of archaeological monuments is provided as an appendix. Comparisons and contrasts are also drawn between Zuwīla and other oases of the ash-Sharqiyāt region of Fazzān. The final section of the paper presents a series of models based on the available evidence, tracing the evolution and decline of this remarkable site.”
Jakob Krais, “Claiming the Libyan Space: Fascist lieux de memoire in North Africa” in Mediterráneos: An Interdisciplinary Approach to the Cultures of the Mediterranean Sea, ed. Martin et al., Cambridge (2013), pp. 275–290.
Abstract: During their rather short colonial rule over Libya (1911-1943) the Italians tried to appropriate the territory of the North African country not only militarily administratively, but also symbolically. To achieve this, the government, especially the Fascist regime in the 1920s and 30s, attempted the creation of places of memory (I here use the the term lieux de mémoire, following Nora) on the colony’s soil that was to incorporated into Italy as its so-called Fourth Shore. The means used were archaeology, linking modern colonization to the ancient Roman Empire, architecture that was to immortalize Italian rule for the future, and Mussolini’s 1937 visit as a reference point for a new Mediterranean empire.
The article is available to download at the above link.
Brian L. McLaren, “The Tripoli Trade Fair and the Representation of Italy’s African Colonies“, The Journal of Decorative and Propaganda Arts 24, Design, Culture, Identity: The Wolfsonian Collection (2002), pp. 170–197.
Extract: “The most significant exhibition to be organized in the Italian colonies was the Tripoli Trade Fair — an annual display of metropolitan and colonial goods held between 1927 and 1939. This series of exhibitions closely paralleled the representation of Italy’s colonies at similar events held in Italy and elsewhere in Europe during the same period. Indeed, all of these exhibitions were intended to communicate the value of Italy’s colonial possessions to a wider audience, while also establishing stronger economic and commercial ties between Italy and North Africa. However, the Tripoli Trade Fair also was a crucial medium through which an image of Italian society was disseminated to the indigenous populations of North Africa. There was, thus, a relationship between the Tripoli Trade Fair and its potential audiences that was more complex than that at fairs in the metropole. It not only represented Italian industry and culture in the colonial context, it was also the mechanism for a complex process of exchange between Italian and North African culture. Using a wide range of material — from postcards, posters, and publicity photographs to pamphlets and catalogues — this essay examines the Tripoli Trade Fair as a constantly evolving hybrid of metropolitan and colonial identities…”