Baldinetti, Anna. 2018. “Languages in Libya: building blocks of national identity and soft power tools,” The Journal of North African Studies 23/3 (Special issue: Soft Power in the Maghrib after the Arab Uprisings), pp. 418–439.
Abstract: Tracing the general lines of language policies in Libya since independence, this article discusses how Arabic has been instrumental in forging a national identity, and examines its role as a soft power tool used by Qadhafi’s regime through the World Islamic Call Society (WICS), established in 1972, which prioritised the teaching of the Arabic language. The article seeks to understand whether the 2011 revolution – at least until 2013, before the beginning of the ongoing internal conflict – has challenged the role of Arabic as the only constituent language of national identity.
Scarfone, Marianna. 2016. Italian colonial psychiatry: outlines of a discipline, and practical achievement in Libya and the Horn of Africa. History of Psychiatry 27(4), pp. 389–405.
This article describes the establishment of psychiatry in Italy’s former colonies during the period 1906–43, in terms of the clinical and institutional mechanisms, the underlying theories and the main individuals involved. ‘Colonial psychiatry’ (variously called ‘ethnographic’, ‘comparative’ or ‘racial’ psychiatry) – the object of which was both to care for mentally afflicted colonists and local people and also to understand and make sense of their pathologies – received most attention in colonial Libya, starting in the first months of the Italian occupation (1911–12) and then taking institutional form in the 1930s; in the colonies of what was known as ‘Italian East Africa’, on the other hand, less was said about psychiatric care, and practical achievements were correspondingly limited.
On the anniversary of the revolution, we’re sharing a new article by Leila Tayeb, “Our star: Amazigh music and the production of intimacy in 2011 Libya” out in the Journal of North African Studies, about the music of Libyan Amazigh singer Dania Ben Sasi during the events of the 2011 revolution.
The abstract is:
This article explores the production and circulation of Amazigh music among Libyans between 2011 and 2013. It takes as a focal point the performance archive of Serbian-Libyan Amazigh singer Dania Ben Sasi, whose Amazigh-language music found unprecedented fame in Libya in 2011. Through close readings of her initial musical recording of that year, interviews with Ben Sasi and listeners, analysis of performances onstage and in daily life, and drawing on ethnographic fieldwork undertaken in Libya, Serbia, and Tunisia, I present a brief history of a temporary moment of political possibility. I suggest that the formation of an intimate public around Amazigh music in Libya offered glimpses of an unfinished future in which popular practices of recognition could still be built.
The article appears to be freely accessible online at the above link.
Sometimes I come across studies on topics I never even knew could be topics. Here, an essay examining the models of urbanity ‘exported’ to Libya by Croatian architects working on the naval base in Khoms (الخمس), Libya.
Smode Cvitanović, Mojca, Smokvina, Marina, Kincl, Branko. 2016. “Maritime Ports as the Testing Field for a New Urbanity. Centroprojekt Zagreb Design for Naval Base Homs, Libya, 1976.” In Urban Planning in North Africa, ed. Carlos Nunes Silva, Routledge, pp. 145–155. [Link to partial preview]
“Drawing on experience gained through the modernization of their own country after the Second World War, Yugoslav experts made their mark applying their expertise in many African and Asian countries, thereby taking part in the creation of those continents’ modern societies in the years that followed. A large field of expertise was as a consequence applied including civil engineering, architecture, and urban planning. A specific professional sector among Yugoslav ‘exports’ was the design and construction of port facilities. Depending on the developments adjacent to the ports, different expertise in urban planning and architecture was needed within this multi-disciplinary task. Architectural developments, as support to a port facility, were usually planned in empty areas and without a previously established analogous architectural or urban typology in the local tradition. This chapter follows the particular case of the Naval Base Homs (Khoms, Al-Khums) in Libya which received a significant contribution of urban and architectural design, the task having been assigned to the Centroprojekt Zagreb company in the mid-1970s. The chapter examines the models of urbanity ‘exported’ by Croatian architects engaged in a task whose primary function was to support the adjacent port facility.”
David J. Mattingly, Martin J. Sterry & David N. Edwards. 2015. “The origins and development of Zuwīla, Libyan Sahara: an archaeological and historical overview of an ancient oasis town and caravan centre.” Azania: Archaeological Research in Africa 50(1), 27–75
This article is open-access and can be read by everyone for free by clicking on the above link!
Abstract: “Zuwīla in southwestern Libya (Fazzān) was one of the most important early Islamic centres in the Central Sahara, but the archaeological correlates of the written sources for it have been little explored. This paper brings together for the first time a detailed consideration of the relevant historical and archaeological data, together with new AMS radiocarbon dates from several key monuments. The origins of the settlement at Zuwīla were pre-Islamic, but the town gained greater prominence in the early centuries of Arab rule of the Maghrib, culminating with the establishment of an Ibāḍī state ruled by the dynasty of the Banū Khaṭṭāb, with Zuwīla its capital. The historical sources and the accounts of early European travellers are discussed and archaeological work at Zuwīla is described (including the new radiocarbon dates). A short gazetteer of archaeological monuments is provided as an appendix. Comparisons and contrasts are also drawn between Zuwīla and other oases of the ash-Sharqiyāt region of Fazzān. The final section of the paper presents a series of models based on the available evidence, tracing the evolution and decline of this remarkable site.”
Jakob Krais, “Claiming the Libyan Space: Fascist lieux de memoire in North Africa” in Mediterráneos: An Interdisciplinary Approach to the Cultures of the Mediterranean Sea, ed. Martin et al., Cambridge (2013), pp. 275–290.
Abstract: During their rather short colonial rule over Libya (1911-1943) the Italians tried to appropriate the territory of the North African country not only militarily administratively, but also symbolically. To achieve this, the government, especially the Fascist regime in the 1920s and 30s, attempted the creation of places of memory (I here use the the term lieux de mémoire, following Nora) on the colony’s soil that was to incorporated into Italy as its so-called Fourth Shore. The means used were archaeology, linking modern colonization to the ancient Roman Empire, architecture that was to immortalize Italian rule for the future, and Mussolini’s 1937 visit as a reference point for a new Mediterranean empire.
The article is available to download at the above link.
Poster from the Tripoli Trade Fair 1930 (Mitchell Wolfson Jr. Collection, The Wolfsonian, see McLaren 2002, p. 178 for details)
Brian L. McLaren, “The Tripoli Trade Fair and the Representation of Italy’s African Colonies“, The Journal of Decorative and Propaganda Arts 24, Design, Culture, Identity: The Wolfsonian Collection (2002), pp. 170–197.
Extract: “The most significant exhibition to be organized in the Italian colonies was the Tripoli Trade Fair — an annual display of metropolitan and colonial goods held between 1927 and 1939. This series of exhibitions closely paralleled the representation of Italy’s colonies at similar events held in Italy and elsewhere in Europe during the same period. Indeed, all of these exhibitions were intended to communicate the value of Italy’s colonial possessions to a wider audience, while also establishing stronger economic and commercial ties between Italy and North Africa. However, the Tripoli Trade Fair also was a crucial medium through which an image of Italian society was disseminated to the indigenous populations of North Africa. There was, thus, a relationship between the Tripoli Trade Fair and its potential audiences that was more complex than that at fairs in the metropole. It not only represented Italian industry and culture in the colonial context, it was also the mechanism for a complex process of exchange between Italian and North African culture. Using a wide range of material — from postcards, posters, and publicity photographs to pamphlets and catalogues — this essay examines the Tripoli Trade Fair as a constantly evolving hybrid of metropolitan and colonial identities…”
Nebbia, N., Leone, A., Bockmann, R., Hddad, M., Abdouli, H., Masoud, A. M., Elkendi, N., Hamoud, H., Adam, S. & Khatab, M. (2016). Developing a Collaborative Strategy to Manage and Preserve Cultural Heritage During the Libyan Conflict. The Case of the Gebel Nāfusa. Journal of Archaeological Method and Theory 23(4): 971-988.
Abstract: The paper discusses the potential of a collaborative scheme for the development of a protocol for recording and managing the cultural heritage in Libya. The critical political situation in the country urges the development of cultural heritage management policies in order to protect it more thoroughly and consistently. Moving on from the numerous international initiatives and projects dealing with a mostly “remote” approach to the issue, the project here presented to engages with staff members of the Department of Antiquities (DoA) in the development of a joint strategy for the application of remote sensing and geographical information systems (GIS) to the preservation and monitoring of Libyan cultural heritage. A series of training courses resulted in an initial development of new ways of recording and analysing field data for a better awareness of the full range of threats that the archaeology of the country is subject to. Focussing on the case of the Jebel Nafusa, the training involved the assessment of site visibility on satellite imagery, the analysis of high-resolution satellite datasets for archaeological mapping, the creation of a GIS spatial database of field data, and the mapping of risks and threats to archaeology from remote sensing data. This led to the creation of of a risk map showing the areas that are affected by a number of threats, thus giving the DoA a tool to prioritise future fieldwork to keep the assessment of site damage up to date. Only a collaborative approach can lead to a sustainable strategy for the protection of the invaluable cultural heritage of Libya.
Note: the article is behind a paywall, but those with university or library accounts should be able to access it.
Lisa Anderson, “The Tripoli Republic, 1918–1922,” in Social and Economic Development of Libya, ed. E. Joffe & K. McLachlan (London, 1982), pp. 43–65.
“…although the Sanusiyah played a very important role, it was not alone in organizing resistance to the Italians. The struggle was also undertaken by the Ottoman Imperial government, Ottoman army officers acting on their own, volunteers from elsewhere in the Arab world, as well as by Libyan notables of a variety of religious persuasions and regional attachments. Many of these forces combined in the creation in Libya in 1918 of the first formally republican government in the Arab world, the jumhuriyyah al-ṭarāblusiyyah, or Tripoli Republic.”