The Maghrib in Past & Present podcast most recent episode in its “Libyan Studies” series is “Mobility, Memory, and the performance of Bousaadiya in Libya”.

In this podcast, Dr. Leila Tayeb, Assistant Professor in Residence in the Communication and Liberal Arts Programs at Northwestern University in Qatar (NU-Q), explores the cultural politics of mobility and memory in Libya. Looking at Bousaadiya, a figure who has been performed in many iterations throughout North Africa, she offers a reading of these performance practices as a space in which Libyans enact and contest practices of belonging. Tayeb describes how performance, and specifically dance, creates a frame through which to observe political, historical, and cultural phenomena. Highlighting repetition as an important element of performance, she argues that mimesis of certain practices over time can serve to reinstantiate – or disrupt – power structures. Bousaadiya performance practices, Tayeb argues, serve as a space in which Libyans grapple with the unresolved history of the trans-Saharan slave trade which took place in Libya for centuries and persisted even after it was formally abolished. Reading Bousaadiya through these lenses allows for an excavation of this history, its legacies, and opportunities for repair.